Oppenheimer (film)

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Oppenheimer
Cillian Murphy as J. Robert Oppenheimer stands in front of the ignited "Gadget" nuclear bomb.
Theatrical release poster
Directed byChristopher Nolan
Screenplay byChristopher Nolan
Based on
American Prometheus
by
Produced by
Starring
CinematographyHoyte van Hoytema
Edited byJennifer Lame
Music byLudwig Göransson
Production
companies
Distributed byUniversal Pictures
Release dates
  • July 11, 2023 (2023-07-11) (Le Grand Rex)
  • July 21, 2023 (2023-07-21) (United States and United Kingdom)
Running time
180 minutes[1]
Countries
  • United States
  • United Kingdom
LanguageEnglish
Budget$100 million[2]
Box office$960.9 million[3][4]

Oppenheimer is a 2023 biographical thriller film[a] written, directed and produced by Christopher Nolan.[9] It stars Cillian Murphy as J. Robert Oppenheimer, the American theoretical physicist described as the "father of the atomic bomb" for his role in the Manhattan Project, the World War II undertaking that developed the first nuclear weapons. Based on the 2005 biography American Prometheus by Kai Bird and Martin J. Sherwin, the film chronicles Oppenheimer's studies, his direction of the Los Alamos Laboratory during World War II, and his fall from grace due to his 1954 security hearing. The film also stars Emily Blunt as the wife of Oppenheimer Kitty, Matt Damon as head of the Manhattan Project Leslie Groves, and Robert Downey Jr. as United States Atomic Energy Commission member Lewis Strauss. The ensemble supporting cast includes Florence Pugh, Josh Hartnett, Rami Malek, and Kenneth Branagh.

Oppenheimer was announced in September 2021 after Universal Pictures won a bidding war for Nolan's screenplay. It is Nolan's first film not distributed by Warner Bros. Pictures since Memento (2000), due to his conflicts regarding the studio's simultaneous theatrical and HBO Max release schedule.[10] Murphy was the first cast member to sign on the following month, with the rest joining between November 2021 and April 2022. Pre-production began by January 2022, and filming took place from February to May. The cinematographer, Hoyte van Hoytema, filmed Oppenheimer in a combination of IMAX 65 mm and 65 mm large-format film, including, for the first time, scenes in IMAX black-and-white film photography. As with many of his previous films, Nolan used extensive practical effects, with minimal compositing work. Oppenheimer was Nolan's first to receive an R-rating in the United States since Insomnia in 2002.

Oppenheimer premiered at Le Grand Rex in Paris on July 11, 2023, and was theatrically released in the US and the UK ten days later by Universal. Its concurrent release with Warner Bros.'s Barbie was the catalyst of the "Barbenheimer" cultural phenomenon, encouraging audiences to see both films as a double feature. The film grossed over $960 million worldwide, becoming the third-highest-grossing film of 2023, the highest-grossing World War II-related film, the highest-grossing biographical film, and the second-highest-grossing R-rated film. Widely regarded as Nolan's magnum opus and one of the best films of 2023, the film received acclaim[b] for its direction and screenplay, ensemble cast, technical innovation, and historical accuracy and faithfulness to the source material.

Among its many awards, Oppenheimer was named one of the top ten films of 2023 by the National Board of Review and the American Film Institute, atop five wins at the 81st Golden Globe Awards (including Best Motion Picture – Drama), seven wins at the 77th British Academy Film Awards (including Best Film), and three wins at the SAG Awards (including Best Ensemble). At the 96th Academy Awards, the film received a leading 13 nominations and seven wins, including Best Picture, Best Director, Best Actor (Murphy), and Best Supporting Actor (Downey Jr.).

Plot[edit]

The film is presented as a nonlinear narrative, with two different timelines interwoven together. The first is "Fission", playing out in color, about Oppenheimer giving a subjective account of his life at his 1954 security hearing, while the second is "Fusion", in black and white, which is Lewis Strauss's viewpoint on Oppenheimer during his 1959 Senate confirmation hearing. The plot summary is linear.[11]

In 1926, 22-year-old doctoral student J. Robert Oppenheimer grapples with anxiety and homesickness while studying experimental physics under Patrick Blackett at the Cavendish Laboratory in the University of Cambridge. Upset with Blackett's attitude, Oppenheimer leaves him a poisoned apple but later retrieves it. Visiting scientist Niels Bohr advises Oppenheimer to study theoretical physics at the University of Göttingen instead.

Oppenheimer completes his PhD there and meets fellow scientist Isidor Isaac Rabi. They later meet theoretical physicist Werner Heisenberg in Switzerland. Wanting to expand quantum physics research in the United States, Oppenheimer begins teaching at the University of California, Berkeley and the California Institute of Technology. He marries Katherine "Kitty" Puening, a biologist and ex-communist, and has an intermittent affair with Jean Tatlock, a troubled communist who later dies by suicide. When nuclear fission is discovered in 1938, Oppenheimer realizes it could be weaponized. In 1942, during World War II, US Army Colonel Leslie Groves, director of the Manhattan Project, recruits Oppenheimer as director of the Los Alamos Laboratory, where an atomic bomb is to be developed. Oppenheimer fears the German nuclear research program, led by Heisenberg, might yield a fission bomb for the Nazis.

He assembles a team consisting of Rabi, Hans Bethe, and Edward Teller at the Los Alamos Laboratory, and also collaborates with scientists Enrico Fermi, Leo Szilard, and David L. Hill at the University of Chicago. Teller's calculations reveal an atomic detonation could trigger a catastrophic chain reaction that ignites the atmosphere. After consulting with Albert Einstein, Oppenheimer concludes the chances are acceptably low. Teller attempts to leave the project after his proposal to construct a hydrogen bomb is rejected, but Oppenheimer convinces him to stay.

After Germany's surrender in 1945, some Project scientists question the bomb's relevance. Oppenheimer believes it would end the ongoing Pacific War and save Allied lives. The Trinity test is successful, and President Harry S. Truman orders the atomic bombings of Hiroshima and Nagasaki, resulting in Japan's surrender. Though publicly praised, Oppenheimer is haunted by the mass destruction and fatalities. After Oppenheimer expresses his personal guilt in a private meeting with Truman, the president berates Oppenheimer and dismisses his urging to cease further atomic development.

As an advisor to the United States Atomic Energy Commission (AEC), Oppenheimer's stance generates controversy, while Teller's hydrogen bomb receives renewed interest amidst the burgeoning Cold War. AEC Chairman Lewis Strauss resents Oppenheimer for publicly dismissing Strauss's concerns about exporting radioisotopes and for recommending negotiations with the Soviet Union after the Soviets successfully detonated their own bomb. Strauss also believes that Oppenheimer denigrated him during a conversation Oppenheimer had with Einstein in 1947.

In 1954, wanting to eliminate Oppenheimer's political influence, Strauss secretly orchestrates a private security hearing before a Personnel Security Board concerning Oppenheimer's Q clearance. However, it becomes clear that the hearing has a predetermined outcome. Oppenheimer's past communist ties are exploited, and Groves's and other associates' testimony is twisted against Oppenheimer. Teller testifies that he lacks confidence in Oppenheimer and recommends revocation. The board revokes Oppenheimer's clearance, damaging Oppenheimer's public image and limiting his influence on nuclear policy.

In 1959, during Strauss's Senate confirmation hearing for Secretary of Commerce, Hill testifies about Strauss's personal motives in engineering Oppenheimer's downfall, resulting in Strauss's nomination being voted down. In 1963, President Lyndon B. Johnson presents Oppenheimer with the Enrico Fermi Award as a gesture of political rehabilitation. A flashback reveals that Oppenheimer and Einstein's 1947 conversation never mentioned Strauss. Oppenheimer instead expressed his belief that they had indeed started a chain reaction—a nuclear arms race—that would one day destroy the world.

Cast[edit]

Actor Cillian Murphy at a press conference for The Party at the 67th Berlin International Film Festival in 2017
Portrait of J. Robert Oppenheimer, first director of Los Alamos National Laboratory.
Cillian Murphy plays J. Robert Oppenheimer.

Production[edit]

Development[edit]

Kai Bird (pictured) and Martin J. Sherwin are the authors of J. Robert Oppenheimer's biography American Prometheus (2005), on which the film is based.

Following the publication of J. Robert Oppenheimer's biography American Prometheus (2005) by Kai Bird and Martin J. Sherwin, director Sam Mendes had been interested in adapting the book into a film. After that project failed to materialize, the book was optioned by various filmmakers over the next fifteen years, but the authors became pessimistic about a film adaptation. At one point Oliver Stone was offered the opportunity to direct, but turned it down stating "I couldn't find my way to its essence".[55][56] In 2015, J. David Wargo optioned the book, then commissioned and rejected several scripts. During the COVID-19 pandemic, Wargo flew to Hollywood to meet with actor James Woods, who set up a meeting with Charles Roven, a producer for various Christopher Nolan films, and in turn, Roven gave a copy of the book to Nolan. Both Wargo and Woods are executive producers of the film.[56]

Nolan had long desired to make a film about Oppenheimer, even prior to reading American Prometheus.[57] In 2019, towards the end of production on Nolan's science-fiction film Tenet (2020), star Robert Pattinson gave the director a book of Oppenheimer's speeches. According to Nolan, the speeches showed Oppenheimer "wrestling with the implications ... of what's happened and what [he's] done". Nolan wanted to depict "what it would have been like to be Oppenheimer in those moments" in contrast to Tenet, which employs time travel to curb a potential weapon of mass destruction.[58][2]

In December 2020, Warner Bros. Pictures announced plans to give its 2021 films simultaneous releases in theaters and on HBO Max, citing the impact of the COVID-19 pandemic on the film industry. Nolan, who had partnered with the studio on each of his films since Insomnia (2002), was outraged with the decision as he was a staunch supporter of traditional film exhibition in movie theaters.[59] In January 2021, media reports mentioned the possibility that Nolan's next film could be the first not to be financed or distributed by Warner Bros.[60] By mid-2021, the filmmaker had left Warner Bros. and was meeting with other studios to develop his new project.[2] Nolan had previously supported the studio's decision to give Wonder Woman 1984 (2020) a simultaneous release, stating that he perceived that situation to have been handled properly, but said he had been excluded from any discussions regarding the postponed release of Tenet.[61][62]

In September 2021, it was announced that Nolan would write and direct a biographical film set during World War II about Oppenheimer and his contributions to the Manhattan Project, with Cillian Murphy in negotiations to star.[63][64] Due to his strained relationship with Warner Bros., Nolan approached multiple studios for the project, including Sony, Universal, Paramount, and Apple.[65][66] According to insiders, Paramount was ruled out early in the process due to the replacement of CEO and chairman Jim Gianopulos with Brian Robbins, an advocate for increased streaming-service releases.[66]

Nolan ended up going to Universal because he had previously worked with Donna Langley, chairwoman and chief content officer of the NBCUniversal studio group, on an unsuccessful attempt to make a film version of the UK television series The Prisoner. He was unable to "'crack' the adaptation", but they stayed in touch.[67] Langley agreed with Nolan's strong stance in favor of traditional film exhibition. Therefore, Universal agreed to finance and distribute Oppenheimer, with production set to begin in the first quarter of 2022.[68] The studio also agreed to Nolan's terms, which included a production budget of $100 million, an equal marketing budget, an exclusive theatrical window ranging from 90 to 120 days, 20 percent of the film's first-dollar gross, and a three-week period both before and after the film's opening in which Universal could not release another new film.[66][2]

Writing[edit]

Nolan first became aware of Oppenheimer as a youth, after hearing the lyric "How can I save my little boy from Oppenheimer's deadly toy?" in the Sting song "Russians" (1985).[69] He was also inspired by his fears of nuclear holocaust throughout childhood, as he lived during the era of Campaign for Nuclear Disarmament (CND) and the anti-nuclear protests in RAF Greenham Common. He felt that "while our relationship with that [nuclear] fear has ebbed and flowed with time, the threat itself never actually went away", and felt the 2022 Russian invasion of Ukraine had caused a resurgence of nuclear anxiety.[58] Nolan had also penned a script for a biopic of Howard Hughes approximately during the time of production of Martin Scorsese's The Aviator (2004), which had given him insight on how to write a script regarding a person's life.[57] Emily Blunt described the Oppenheimer script as "emotional" and resembling that of a thriller, while also remarking that Nolan had "Trojan-Horsed a biopic into a thriller".[70]

Writer, director, and producer Christopher Nolan (left) and co-producers Emma Thomas and Charles Roven

By September 2021, both Roven and Nolan had begun contacting Bird and Sherwin to discuss the script. During Bird's first meeting with Nolan, he had already written a spec script while they discussed the script's content, although Nolan did not disclose the script to them yet.[71] Oppenheimer is the first screenplay written by Nolan in the first person, as he wanted the narrative to be conveyed from Oppenheimer's perspective. He described the "texture" of the film being "how the personal interacts with the historic and the geopolitical" with the intention of making it a cautionary tale.[57][72][73] He began developing the script after he completed Tenet and wrote it in only a few months; he had already been thinking about making a film about Oppenheimer for over 20 years.[57]

A major plot element is Oppenheimer's response to the long-term consequences of his actions. Nolan wished to explore the phenomenon of delayed reactions, as he felt people are not "necessarily confronted with the strongest or worst elements of [their actions] in the moment".[69] He also chose to alternate between scenes in color and black-and-white to convey the story from both subjective and objective perspectives, respectively,[74] with most of Oppenheimer's view shown via the former, while the latter depicts a "more objective view of his story from a different character's point of view".[75][69] Wanting to make the film as subjective as possible, the production team decided to include visions of Oppenheimer's conceptions of the quantum world and waves of energy.[76] Nolan noted that while Oppenheimer never publicly apologized for his role in the atomic bombings of Hiroshima and Nagasaki, he still believed Oppenheimer had felt genuine guilt for his actions and thus portrayed him as exhibiting those feelings.[77]

I think of any character I've dealt with, Oppenheimer is by far the most ambiguous and paradoxical. Which, given that I've made three Batman films, is saying a lot.

— Christopher Nolan, Total Film[70]

Nolan began by trying to find the "thread that connected the quantum realm, the vibration of energy, and Oppenheimer's own personal journey" and sought to portray the difficulties in his life, particularly regarding his sex life.[58] As such, Nolan wanted to candidly portray his affair with Jean Tatlock. He also wanted to explore Tatlock's influence on Oppenheimer's life, since she was a Communist, which had "enormous ramifications for [Oppenheimer's] later life and his ultimate fate".[78] Nolan also sought to explore the relationship between Oppenheimer and Admiral Lewis Strauss, former chair of the US Atomic Energy Commission, having been inspired by the relationship between Mozart and Antonio Salieri as depicted in Amadeus (1984).[69]

Another critical moment of the film was the meeting in which President Harry S. Truman called Oppenheimer a "crybaby". Nolan wanted to convey the scene from Oppenheimer's perspective and felt it was a "massive moment of disillusion, a huge turning point [for Oppenheimer] in his approach to trying to deal with the consequences of what he'd been involved with", while also underscoring that it is a "huge shift in perception about the reality of Oppenheimer's perception".[57] He wanted to execute a quick tonal shift after the atomic bombings of Hiroshima and Nagasaki, desiring to go from the "highest triumphalism, the highest high, to the lowest low in the shortest amount of screen time possible".[73] For the ending, Nolan chose to make it intentionally vague to be open to interpretation and refrained from being didactic or conveying specific messages in his work. However, he did have the intention to present a "strong set of troubling reverberations at the end".[77]

Casting[edit]

Oppenheimer marks the sixth collaboration between Nolan and Murphy, and the first starring Murphy as the lead. To prepare for the role, the actor did what he summarized as "an awful lot of reading" on Oppenheimer's life and had also been inspired by David Bowie's appearance in the 1970s.[79][12][69] Nolan called Murphy one day to ask him to play the part, and Murphy enthusiastically accepted and was excited to play a lead role in a Nolan film. Afterward, Nolan flew to Dublin to meet with Murphy, who read the script in Nolan's hotel room.[80] Murphy lost an undisclosed amount of weight for the role in order to better match the real-life Oppenheimer's gaunt appearance.[81] Nolan also set up a phone call between Murphy and Nobel laureate Kip Thorne, who had previously worked with Nolan on Interstellar (2014).[57] As a graduate student, Thorne had attended some of Oppenheimer's seminars, and explained to Murphy his experience with Oppenheimer's gift for facilitating group discussions of difficult scientific concepts.[57]

The casting process was so secretive that some cast members did not know which role they would be playing until they signed on.[39] Robert Downey Jr., Matt Damon, and Emily Blunt took pay cuts to work on the film, with each earning $4 million in lieu of their usual $10–20 million upfront salary.[82] Downey went to Nolan's house to read the script, which was printed in black on red paper.[83] Downey would later describe Oppenheimer as "the best film" in which he has appeared to date.[84] Blunt met Nolan in Los Angeles and, when she was offered the role of Katherine "Kitty" Oppenheimer, she enthusiastically accepted; she also contacted Murphy to get an expectation of what working with Nolan would be like.[83] Asked to play the part of Leslie Groves, Damon—who had appeared in Nolan's Interstellar—was taking a break from acting as a result of negotiations with his wife in couples therapy, but signed on to Oppenheimer as he had reserved one exception: if Nolan offered him a role in a film.[85] Nolan cast writer-director Benny Safdie as physicist Edward Teller after asking director Paul Thomas Anderson about his experience directing Safdie in Licorice Pizza (2021).[86] Safdie had worked alongside a nuclear physicist at Columbia University while in high school.[69] It is Nolan's first film since Insomnia (2002) to not feature Michael Caine.[87]

Filming[edit]

Filming took place at the University of California, Berkeley in May 2022.

Pre-production had begun by January 2022 in New Mexico, where a two-day casting call took place in Santa Fe and Los Alamos for people to audition to play local residents, military personnel, and scientists.[88][89] Another casting call was held in February.[90]

Principal photography began on February 28, 2022, at Ghost Ranch in New Mexico,[91] and lasted for 57 days with Hoyte van Hoytema serving as cinematographer.[81][26] The original shooting schedule had set aside approximately 85 days for filming.[92] However, during pre-production, it had become clear that principal photography could not be completed within $100 million over that many days on location all over the United States.[92] To efficiently utilize the film's budget for location shooting in California and New Jersey and constructing high-quality historically accurate sets in New Mexico, Nolan compressed the shooting schedule to 55 days.[92] Murphy, who appears in nearly every scene, described the pace as "insane".[92]

Gary Oldman said he would be on set for a day in May for "one scene, a page and a half".[54] The original choice for Oval Office location in the Nixon Presidential Library fell through a week before filming, and since Oldman's dates were unmovable, the production design team redressed the Oval Office set from Veep, which according to Ruth De Jong had fallen into "nightmarish" disrepair.[93] Nolan filmed his eldest child, his daughter Flora, in a scene in which she played a young woman disintegrated in a nuclear explosion. It appears in the film as one of Oppenheimer's visions, in which Nolan intended to show "that if you create the ultimate destructive power, it will also destroy those who are near and dear to you".[58]

The film used a combination of IMAX 65 mm and 65 mm large-format film.[12] It is also the first film to shoot sections on IMAX black-and-white photographic film, which Kodak created and FotoKem developed specifically for the film.[94][95] Van Hoytema used 50 mm and 80 mm Hasselblad lenses when filming on the IMAX MKIV or IMAX MSM 9802 cameras, while scenes shot on the Panavision Panaflex System 65 Studio cameras were shot using Panavision Sphero 65 and Panavision System 65 lenses.[96] Additionally, the production had Panavision construct a custom probe lens to allow the filmmakers to use IMAX cameras for macro photography and microphotography to record the film's miniature effects.[97] In the second week of April, filming took place on location at the Institute for Advanced Study in Princeton, New Jersey.[98] Filming also occurred in California,[53] primarily around the campus of the University of California, Berkeley.[99] Scenes set in the city of Berkeley itself were filmed in Pasadena.[100]

During a 2021 research trip, Nolan discovered that Los Alamos had drastically changed from its 1940s appearance and could not be used for exterior shots of the town; for example, the town's equivalent of a Main Street has a Starbucks.[91] Instead, the production team constructed a version of 1940s-era Los Alamos on top of a similar plateau at Ghost Ranch.[91] It took three months to build the set, which was used for only six shooting days.[91] The general plan was to shoot only exterior shots on the set at Ghost Ranch, then shoot interior shots on location inside various historic buildings in the real town of Los Alamos.[100] Interior shooting in Los Alamos began on March 8, 2022.[91] Many scenes in the film take place in academic lecture halls; to save time and money, the production team decided against attempting to reconstruct those halls as sets at Ghost Ranch, and shot them inside a historic Women's Army Corps dormitory in Los Alamos.[91] Scenes were also filmed in Oppenheimer's original cabin in Los Alamos, which had been restored. Kai Bird visited the set and was impressed by Murphy's performance as Oppenheimer during filming.[101] The New York hotel scenes were shot in Albuquerque's Old Post Office building, while the Washington, D.C. scenes were shot in state government buildings in the state capital of Santa Fe.[100]

Filming involved the use of real explosives to recreate the Trinity nuclear test, forgoing the use of computer-generated graphics.[102] When this news first broke online, many fans (aware of Nolan's famous preference for in-camera practical effects) thought it meant he had set off a real atomic bomb.[2] Nolan later remarked that it was both "flattering" and "scary" that his fans would think that of him.[2] The production team was able to obtain government permission to film at White Sands Missile Range, but only at highly inconvenient hours, and therefore chose to film the scene elsewhere in the New Mexico desert.[2][100] The production filmed the Trinity test scenes in Belen, New Mexico, with Murphy climbing a 100-foot steel tower, a replica of the original site used in the Manhattan Project, in rough weather.[2][100] A special set was built in which gasoline, propane, aluminum powder, and magnesium were used to create the explosive effect.[58] Although they used miniatures for the practical effect, the film's special effects supervisor Scott R. Fisher referred to them as "big-atures", since the special effects team had tried to build the models as physically large as possible. To make the models look closer to their intended real-life size, the team used forced perspective.[103][104] Visualizations of the interactions between atoms, molecules and energy waves, as well as the depiction of stars, black holes and supernovas, were also achieved through practical methods. Nolan claimed the film contains no computer-generated effects,[105] and used practical effects to achieve "real-world imagery".[106] Filming wrapped in May 2022.[107]

Post-production[edit]

During post-production, editing was completed by Jennifer Lame, who had previously edited Tenet.[12] While inspecting the footage during editing, Nolan and Lame performed "character passes" to ensure all the characters were properly displayed on screen, due to the film having a faster pace than most traditional blockbusters.[69] Visual effects were handled by DNEG, which produced more than 100 VFX shots from more than 400 practically shot elements,[108] marking their eighth collaboration with Nolan. Andrew Jackson was the visual effects supervisor,[109] who stated that the film utilized mostly "invisible" visual effects through "'in-camera' special effects created on set".[110] Digital compositing was used for the Trinity scene to add multi-layers to the explosion which was shot in a multifaceted viewpoint.[111]

Filmmaker Steven Spielberg was the first person to see the film's final cut in the form of a private screening of its first 70mm print. Nolan remarked on Spielberg's reaction, saying "He said some very kind things, but really just to watch him watch ... I wasn't even supposed to watch it with him, but seeing the great master watching? It was sort of irresistible."[112][113]

Music[edit]

Main article: Oppenheimer (soundtrack)
Ludwig Göransson composed the film's score, earning him the Academy Award for Best Original Score.

Ludwig Göransson composed the score for the film, after doing so for Nolan's previous film, Tenet.[12] Göransson's score was featured in a trailer for the film on May 8, 2023.[114] It was also featured in the Universal Pictures exclusive five-minute Opening Look on July 13.[115][6] Nolan had advised him to use the violin for Oppenheimer's central theme in the film, with Göransson remarking that he had felt that it could go from "the most romantic, beautiful tone in a split second to neurotic and heart wrenching, horror sounds".[69]

Release[edit]

Marketing[edit]

Oppenheimer's teaser trailer was released on July 28, 2022, featuring a live countdown to 5:29 a.m. (MDT) on July 16, 2023, the 78th anniversary of the first detonation of an atomic weapon; it premiered in screenings of Nope before being posted online on Universal's social media profiles.[116] Empire commented that it is exemplary of Nolan's style: "heady, brooding stuff with a real sense of weight".[117] In December 2022, two trailers premiered in front of Avatar: The Way of Water, with one being exclusive to IMAX theaters and the other being shown in all other formats. The latter was eventually released online.[118][119] In May 2023, an official main trailer debuted during preview screenings of Guardians of the Galaxy Vol. 3. It was subsequently released to the public on May 8, 2023, alongside a theatrical release poster.[120]

Theatrical release[edit]

Le Grand Rex in Paris, where Oppenheimer held its world premiere.

Oppenheimer had its world premiere at Le Grand Rex in Paris on July 11, 2023,[121] followed by the British premiere at Odeon Luxe Leicester Square in London on July 13,[122] and the American premiere at AMC Lincoln Square 13 in New York City on July 17.[123] Both the London and the New York premieres were affected by the SAG-AFTRA strike, as some actors left the London premiere early,[122] and Universal Pictures canceled the red carpet event for the New York premiere.[123] SAG-AFTRA President Fran Drescher later claimed the studios "duped" the guild into accepting a twelve-day-extension for negotiations to continue promoting summer films like Oppenheimer.[124] Oppenheimer was released theatrically on July 21, 2023, by Universal Pictures.[12][125] In addition to standard digital cinemas, it will be also released in various film formats including IMAX 70 mm (30 prints), standard 70 mm (113 prints) and 35 mm (around 80 prints).[126]

The film was released on the same day as Barbie, a fantasy comedy film directed by Greta Gerwig based on Mattel's Barbie fashion dolls and media franchise, and distributed by Warner Bros. Many speculated that the decision by Warner Bros. to release Barbie on the same day as Oppenheimer was made in order to deplete ticket sales of Oppenheimer as retaliation for Nolan releasing the film with Universal.[127] Due to the tonal and genre dissonance between the two films, many social media users created memes about how the two films appealed to different audiences,[128] and how they should be viewed as a double feature.[129] The trend was dubbed "Barbenheimer",[130] and was labeled as counterprogramming during a summer of "entertainment industry meltdown".[131] Cillian Murphy had endorsed the phenomenon, saying "My advice would be for people to go see both, on the same day. If they are good films, then that's cinema's gain."[132]

In March 2022, Universal Pictures halted the release of its titles in Russia, joining other major American film distributors in the boycott against the country following its invasion of Ukraine in February 2022.[133] Oppenheimer had also been banned by Russia's Ministry of Culture, which had refused to license screenings of the film, stating that it did not meet their goals of "preserving and strengthening traditional Russian spiritual values".[134]

The film remained unreleased in Japan for numerous months following its initial global release. Variety noted the film's controversial reputation in Japan due to the atomic bombings of Hiroshima and Nagasaki being a direct result of Oppenheimer's actions, with a Universal spokesperson stating that "plans have not been finalized in all markets". It also added that American films tend to be released in Japan a few months following its initial theatrical release.[135] In December 2023, independent Japanese film distributor Bitters End announced that it would theatrically release the film by 2024, as the country's primary film distributor Toho-Towa opted not to release it.[136][137] On January 24, 2024, the distributor confirmed that the film is set to be released in Japan on March 29.[138]

Oppenheimer was the first Best Picture winner since The Departed in 2006 to not premiere at a film festival before its wide release.

Classifications and censorship[edit]

In the United States, the film received an R-rating from the Motion Picture Association for "some sexuality, nudity, and language". It is Nolan's first film to receive that rating since Insomnia (2002).[139] In Australia, the film received an MA 15+ rating from the Australian Classification Board board for "strong sex and a suicide scene".[140] In the United Kingdom, the film received a 15 certificate from the British Board of Film Classification for "strong language and sex", meaning anyone under the age of 15 cannot be admitted to view the film.[141] In some countries, including those in the Middle East, South Asia and Southeast Asia, Universal distributed a version of the film with Florence Pugh's nude body covered by a computer-generated black dress.[142][143][144]

In India, Oppenheimer was released with all scenes depicting nudity, sex and cigarette smoking being censored, earning the U/A certificate from the Central Board of Film Certification (CBFC) while retaining the running time.[145] The audio of the scene in which Tatlock directs Oppenheimer to read a verse from the Hindu scripture Bhagavad Gita, "I am become Death, destroyer of worlds", remained intact.[146] As NDTV reported, the Minister for Information and Broadcasting Anurag Thakur questioned how the CBFC certified the film with the verse heard during such circumstance in the first place, and asked the scene to be deleted.[147] Hindu nationalists were angered by the scene and demanded its removal.[148] Among them was journalist Uday Mahurkar, who wrote an open letter to Nolan calling the scene a "direct assault on religious beliefs of a billion tolerant Hindus", and demanded its removal from all releases of Oppenheimer across the world.[146] On the other hand, actor Nitish Bharadwaj told The Times of India that "The use of this verse in the film should also be understood from Oppenheimer's emotional state of mind. A scientist thinks of his creation 24x7x365 days, irrespective of what he is doing. His mind space is consumed fully of his creation & the physical act is just a natural mechanical act."[149]

Home media[edit]

Oppenheimer was released on Ultra HD Blu-ray, regular Blu-ray and DVD formats including digital on November 21, 2023.[150] As the former two releases sold out days after release, Universal worked on restocking before the holiday season.[151] Nolan was vocal during the home release campaign of the film about the importance of physical media libraries, stating that letting films only exist digitally or on streaming services allows companies to have too much control and creates a danger for film preservation.[152][153] The film released for streaming in the US exclusively on Peacock and in Canada on Amazon Prime Video on February 16, 2024.[154][155]

Reception[edit]

Box office[edit]

As of March 10, 2024, Oppenheimer has grossed $329.3 million in the United States and Canada and $631.6 million in other territories, for a worldwide total of $960.9 million.[3][4] It is the second-highest-grossing R-rated film of all-time behind Joker (2019).[156][157] In September 2023, Oppenheimer became the highest-grossing biographical film of all time, surpassing Bohemian Rhapsody (2018).[158][159]

By August 2023, Oppenheimer had become the highest-grossing film ever to not reach the top spot at the domestic box office, although in its sixth weekend it topped the worldwide box office with a total of $38.12 million, surpassing Barbie for the first time.[160] It is also the highest grossing World War II-related film, surpassing Dunkirk (2017), also a Nolan film.[161][162][163][164] Additionally, Oppenheimer became one of the top five highest-grossing IMAX releases, earning $183 million[165] (approximately 20% of its total gross), over $17 million of which was earned from the 30 screens showing IMAX 70 mm prints.[166] The film was booked to be rereleased in IMAX theaters on November 3, including six IMAX 70 mm prints, as these theaters reported selling out during the film's initial release.[165]

United States and Canada[edit]

In the United States and Canada, Oppenheimer was released alongside Barbie,[167] in what became known as 'Barbenheimer'. The week of their releases, AMC Theatres announced that over 40,000 AMC Stubs members had already pre-booked tickets to both films on the same day.[168] After grossing $33 million on its first day (including $10.5 million from Thursday night previews), it went on to debut to $82.5 million,[169] finishing second behind Barbie and marking one of the best opening weekends ever for an R-rated drama. 64% of the audience was male, with 33% being 18–34 years old. The Barbenheimer phenomenon was credited with boosting interest in the film, with a total of 79% of tickets sold over the weekend being for the two films (27% for Oppenheimer), a combined total of 18.5 million people.[170] The film's opening weekend was Nolan's best for an original film, being the highest of his filmography outside of the latter two films from The Dark Knight trilogy.[171] It achieved the third-highest opening weekend for a biopic film, behind The Passion of the Christ (2004) and American Sniper (2014).[172]

Oppenheimer made $46.2 million in its second weekend (a drop of 44%), remaining in second behind Barbie.[173][174] The film made $28.7 million in its third weekend, finishing third behind Barbie and newcomer Meg 2: The Trench.[175] On August 16, Oppenheimer surpassed Sing (2016) to become the highest-grossing film to never reach the number one spot at the box office.[163][176] During its fourth weekend, the film made $18.8 million (a drop of 35%) rising back up to second place.[177] In its fifth and sixth weekends, the film grossed $10.7 million and $9 million (a drop of 43% and 16% respectively), finishing in third and fourth place at the box office and passing $300 million domestically in its sixth weekend.[177] Following its 13 Oscar nominations, the film expanded from 1,008 theaters to 2,262 in its 28th week of release and made $1 million, an increase of 284% from the previous weekend.[178]

Other territories[edit]

Outside the United States and Canada, the film grossed $98 million in its opening weekend.[179] The following weekend, Oppenheimer earned $77.1 million, dropping by just 21% to become Nolan's highest-grossing film in 30 countries, including India, Saudi Arabia, United Arab Emirates and Turkey.[180] In its third weekend, Oppenheimer grossed $52.8 million (a drop of 31%)[181] and $32 million in its fourth weekend.[182] The film continued to hold well in the following weeks, making $32 million and $29.1 million in its fifth and sixth weekends.[183][184] As of September 10, 2023, the highest grossing territories were the United Kingdom ($72 million), Germany ($46.9 million), China ($46.8 million), France ($40.1 million) and Australia ($25.9 million).[185] In Japan, the film, that was, during months of controversy, said to underplay the actual effects of the bomb, [186] will be released on March, 29 2024.[187]

Critical response[edit]

The performances of Cillian Murphy, Emily Blunt and Robert Downey Jr. received widespread critical acclaim, earning them Academy Award nominations for Best Actor, Best Supporting Actress and Best Supporting Actor respectively, with Murphy and Downey Jr. winning their categories.

The film received widespread critical acclaim.[b] Critics praised Oppenheimer primarily for its direction, cast performances (particularly from Murphy, Blunt and Downey Jr.) and visuals.[c] It was frequently ranked as one of Nolan's best films,[196][197][198] and one of the best of 2023. Hindustan Times reported that the film was hailed as one of the best of the 21st century.[199] On the review aggregator website Rotten Tomatoes, 93% of 501 critics' reviews are positive, with an average rating of 8.6/10. The website's consensus reads: "Oppenheimer marks another engrossing achievement from Christopher Nolan that benefits from Murphy's tour-de-force performance and stunning visuals."[200] Metacritic, which uses a weighted average, assigned the film a score of 90 out of 100, based on 69 critics, indicating "universal acclaim".[201] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while those polled by PostTrak gave it a 93% overall positive score, with 74% saying they would definitely recommend the film.[170]

Richard Roeper of the Chicago Sun-Times gave Oppenheimer a perfect four out of four, describing it as "magnificent" and "one of the best films of the 21st century".[202] The A.V. Club's Matthew Jackson deemed it a "masterpiece", adding that "it's Christopher Nolan's best film so far, a step up to a new level for one of our finest filmmakers and a movie that burns itself into your brain".[203] Empire's Dan Jolin labeled it a "masterfully constructed character study", taking particular note of Murphy's performance and van Hoytema's IMAX cinematography.[204] Peter Suderman writing for Reason magazine said that the film leaves the viewer with a sense of "fear and foreboding about the horror of full-on nuclear conflict in the wake of the nuclear bomb. Humanity is both great and terrible. Oppenheimer isn't just a movie—it's a warning."[205]

Matt Zoller Seitz, writing for RogerEbert.com awarded Oppenheimer a full four out of four rating. He lauded Nolan's storytelling, exploration of Oppenheimer's character and its technical achievements, concluding: "As a physical experience, Oppenheimer is something else entirely—it's hard to say exactly what and that's what's so fascinating about it".[206] Peter Travers described the film as a "monumental achievement" and "one of the best films you'll see anywhere".[207] Caryn James of BBC Culture similarly termed it "boldly imaginative and [Nolan's] most mature work yet", adding that it combined the "explosive, commercially-enticing action of The Dark Knight trilogy" with the "cerebral underpinnings" of Memento, Inception and Tenet.[208] IGN critic Siddhant Adlakha ranked Oppenheimer 10/10, describing it as "a three-hour biopic that plays like a jolting thriller" and Nolan's most "abstract" work yet.[209]

Saibal Chatterjee from NDTV rated the film four and a half out of five and stated: "Oppenheimer, a cinematic achievement of blinding brilliance, achieves a sublime combination of visual grandeur, technical flair, emotional intimacy and an examination of the limits of human endeavor and ambition".[210] In August 2023, it ranked number three on Collider's list of "The 20 Best Drama Movies of the 2020s So Far," writing that Nolan "explores the world's obsession with destructive nuclear weapons from the perspective of their creator; using the Greek myth of Dante [sic] as an inspiration, Oppenheimer makes it clear that once this type of power is unleashed, it is bound to be used again."[211]

Despite praising the film's themes and performances, CNN's Brian Lowry believed that "Nolan juggles a lot, in a way that somewhat works to the movie's detriment".[212] While praising how the film acknowledges the contribution of "American scientists and American enterprise", Brett Mason complained that it omits the crucial contributions of non-Americans who ensured the work was able to commence as early as December 1941: "Nolan completely ignores the crucial role that British science and Australian physicist Mark Oliphant played in jump-starting the quest."[213] Writing for the Los Angeles Times, Justin Chang defended Nolan's accurate depiction of how Oppenheimer could not see the true victims of his work. Chang wrote that instead of satisfying "representational completists" by detouring to Hiroshima and Nagasaki, "Nolan treats them instead as a profound absence, an indictment by silence".[188] According to Richard Brody, the movie-listings editor at The New Yorker, "I was tempted to call it a movie-length Wikipedia article. But after a look online, I realized I was giving Wikipedia too little credit—or Christopher Nolan, the movie’s writer and director, too much".[214]

For IndieWire's annual critics poll, in which 158 critics and journalists from around the world voted, Oppenheimer was placed second in their Best Film list, with 69 overall mentions and 17 first-place votes. Nolan was also ranked second on the Best Director list, while his screenplay was placed eighth. Murphy was the highest-placed actor on the Best Performance list (fourth overall) while Van Hoytema's work topped the Best Cinematography list.[215] Oppenheimer also appeared in over 410 critics' lists of the best films released in 2023, and was ranked first in 99 of them.[216]

Oppenheimer was also praised by other filmmakers. Oliver Stone deemed the film "a classic, which I never believed could be made in this climate".[217] Paul Schrader called Oppenheimer, "the best, most important film of this century",[218] while Denis Villeneuve called it "a masterpiece".[219] Steven Soderbergh said of the film, "Oppenheimer is a real accomplishment. I read somewhere that Chris [Nolan] implied that this is the movie he's been building toward, and I think he's right. And I'm thrilled that it's a massive hit."[220]

Among the rare negative reviews is that of Richard Brody for The New Yorker, who called the film a "History Channel movie with fancy editing".[221]

Accuracy and omissions[edit]

While President Truman did have a portrait of Argentine leader José de San Martín, it did not arrive at the White House until October 29, 1946, more than a year after Truman's meeting with Oppenheimer.[222][223]

The film was noted for its accuracy, with some scenes being taken word-for-word out of the book or real life events.[224] Many of the changes are small embellishments or changes from real life. For example, Oppenheimer was not as excited about his discovery of black holes as shown in the film since he did not know how significant it would become. The study was indeed released on the same day Germany invaded Poland, as shown in the film. During the Trinity test, Donald Hornig had his hand on the kill switch for a faster reaction time not near it as depicted in the film. Truman did call Oppenheimer a "crybaby" but in a letter to Dean Acheson one year later, not immediately after meeting Oppenheimer.[224][225]

It was also pointed out that the incorrect American flag was used. In the film, the current 50-star flag is shown. This version wasn't adopted until 1960. During the war, the American flag had only 48 stars as Hawaii & Alaska had yet to become states.[226]

The scene where Oppenheimer poisons his professor's apple is based on accounts that Oppenheimer gave of the incident but it’s unclear whether that actually occurred.[227] Oppenheimer is depicted as putting potassium cyanide in the apple before having a change of heart the next day and narrowly preventing it from being eaten. There is no evidence that Niels Bohr nearly ate the apple or had any involvement in the incident.[224] Oppenheimer and Einstein were friends,[228] but the specific conversations which the film revolves around never happened.[224] Oppenheimer took his concerns about an unstoppable chain reaction to Arthur Compton, not Einstein.[224]

In addition to their interpersonal conflicts, Strauss had another reason to undermine Oppenheimer's credibility by revoking his security clearance: Oppenheimer was opposed to further development of the hydrogen bomb by the United States. Scott Sagan describes the loss of Oppenheimer's influence as a possible constraint upon the nuclear arms race between the US and USSR as a "broader tragedy" less clearly depicted in the film than the scientist's personal tragedy but he called the production "highly accurate" otherwise for a Hollywood film.[229]

Many efforts undertaken at other Manhattan Project sites like Hanford, Washington and Oak Ridge, Tennessee were not shown.[225] Most of them, overseen by General Leslie Groves, focused on producing the radioactive material that powered the nuclear explosions.[230] In addition to the team at Los Alamos, those working at other Project sites, particularly the University of Chicago's Metallurgical Laboratory, also expressed concerns about using the atomic bomb against Japan.[231] According to Kate Gardner,

The one glaring omission from the film is in fact 19,000 omissions – the number of people, mostly Indigenous, who lived near the Trinity test site in New Mexico. Oppenheimer implies the area was empty, side-stepping the thorny truth that local residents were not warned about the test at all – not even given a false story to prevent them from drinking the toxic rainwater that fell for the next few days.[232]

Influence[edit]

The renewed attention to the site and associated nuclear testing encouraged the United States Congress to revise the Radiation Exposure Compensation Act (1990), which provided compensation programs for people affected by radiation and nuclear testing during the Cold War, known as "Downwinders" and primarily consisting of the Navajo Nation. The United States Senate approved amendments to accommodate additional services to people in New Mexico, but it has not passed through Congress as the House of Representatives had not yet debated its inclusion as part of the national defense bill for the 2024 fiscal year.[233]

Accolades[edit]

Main article: List of accolades received by Oppenheimer (film)

Oppenheimer earned a leading 13 nominations at the 96th Academy Awards, becoming Nolan's most Oscar-nominated film.[234][235][236] At the ceremony, the film won Best Picture, Best Director, Best Actor for Murphy, Best Supporting Actor for Downey Jr., Best Cinematography, Best Editing, and Best Original Score.[237] Besides composer Göransson, all recipients were first-time Oscar winners, including Nolan, Thomas, Roven, Downey, and van Hoytema, who had each earned previous Academy Award nominations.[238] Oppenheimer became the highest-grossing Best Picture winner since 2003's The Lord of the Rings: The Return of the King.[239] The film was also nominated for Best Supporting Actress for Blunt, Best Adapted Screenplay, Best Sound, Best Production Design, Best Costume Design, and Best Makeup and Hairstyling.

The film won numerous other accolades. It won six Golden Globe Awards, receiving Best Motion Picture – Drama, Best Director for Nolan, Best Actor – Motion Picture Drama for Murphy, Best Supporting Actor – Motion Picture for Downey, and Best Original Score for Göransson at the 81st ceremony.[240][241][242] The National Board of Review and the American Film Institute named Oppenheimer one of the top-ten films of 2023.[243][244] Oppenheimer received nominations for 13 Critics' Choice Movie Awards (winning eight), 13 British Academy Film Awards (winning seven), and four Screen Actors Guild Awards (winning three),[245][246] while its score earned three nominations at the 66th Annual Grammy Awards (winning one).[247][248][249]

See also[edit]

Notes[edit]

  1. ^ Primary genres attributed to the following sources:[5][6][7][8]
  2. ^ a b Critically acclaimed:[188][189][190][191]
  3. ^ Attributed to multiple references:[192][193][194][195]

References[edit]

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Further reading[edit]

External links[edit]

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